With a daring approach to materials, the Menhir low table becomes a composition of colours and textures that eloquently illustrates the sculptural simplicity of Lodovico Acerbis and Giotto Stoppino’s inventions of new forms.
With a Greek-like classicism, the table’s column connects the monumental marble base, matte in its contemporary version, to a tabletop available in dark stained walnut, black ash, lacquered and in the new version in cast glass, creating a striking exchange between colours and elements.
Sinestesìa
Video by Lorenzo Gironi
A video directed by Lorenzo Gironi, shot entirely on film, in which seven products, integral part of the Acerbis’ heritage, reemerge under a new light. A game, a succession of unprecedented contaminations, suggestions, sounds, oppositions and unions.
Product plus
Base stand: epoxy powder-coated steel in black matt finish.
Table top: 20 mm thick medium density wood fibre available in glossy lacquered finishes of black, white, SW white, linen, sand, clay, burgundy, pink, dark green, mustard yellow, brick red and navy blue or in the special inlaid and brushed open grain veneer, in black ash and dark stained walnut.
Now also available in the cast glass version in black, mustard yellow, dark green and pink colours.
Matt marble base: Carrara Statuario white, Marquinia black, Levanto red or Alpi green.
LL20
LL21
LL22
LL23
LL24
LL09
LL15
LL06
LL12
LL10
LL02
LL25
ES58
ES59
VT19
VT18
VT21
VT20
MR04
MR05
MR06
MR07
Glossy lacquer, obtained with a mixed polyester/polyurethane cycle, with superior quality in terms of brilliance, colour depth, resistance to wear and yellowing, available in a colour range of elegant and timeless shades.
Glossy lacquer, obtained with a mixed polyester/polyurethane cycle, with superior quality in terms of brilliance, colour depth, resistance to wear and yellowing, available in a colour range of elegant and timeless shades.
Glossy lacquer, obtained with a mixed polyester/polyurethane cycle, with superior quality in terms of brilliance, colour depth, resistance to wear and yellowing, available in a colour range of elegant and timeless shades.
Glossy lacquer, obtained with a mixed polyester/polyurethane cycle, with superior quality in terms of brilliance, colour depth, resistance to wear and yellowing, available in a colour range of elegant and timeless shades.
Glossy lacquer, obtained with a mixed polyester/polyurethane cycle, with superior quality in terms of brilliance, colour depth, resistance to wear and yellowing, available in a colour range of elegant and timeless shades.
Glossy lacquer, obtained with a mixed polyester/polyurethane cycle, with superior quality in terms of brilliance, colour depth, resistance to wear and yellowing, available in a colour range of elegant and timeless shades.
Glossy lacquer, obtained with a mixed polyester/polyurethane cycle, with superior quality in terms of brilliance, colour depth, resistance to wear and yellowing, available in a colour range of elegant and timeless shades.
Glossy lacquer, obtained with a mixed polyester/polyurethane cycle, with superior quality in terms of brilliance, colour depth, resistance to wear and yellowing, available in a colour range of elegant and timeless shades.
Glossy lacquer, obtained with a mixed polyester/polyurethane cycle, with superior quality in terms of brilliance, colour depth, resistance to wear and yellowing, available in a colour range of elegant and timeless shades.
Glossy lacquer, obtained with a mixed polyester/polyurethane cycle, with superior quality in terms of brilliance, colour depth, resistance to wear and yellowing, available in a colour range of elegant and timeless shades.
Glossy lacquer, obtained with a mixed polyester/polyurethane cycle, with superior quality in terms of brilliance, colour depth, resistance to wear and yellowing, available in a colour range of elegant and timeless shades.
Glossy lacquer, obtained with a mixed polyester/polyurethane cycle, with superior quality in terms of brilliance, colour depth, resistance to wear and yellowing, available in a colour range of elegant and timeless shades.
Ash is a special veneer that is particularly suitable for "open-pore" painting because it always shows a very natural vein even after treatment.
Canaletto walnut has a medium tone with soft colour variations, making it one of the most popular woods in recent years. The dark colour shade enhances the value and elegance of the material.
Flat sheet glass slab hot-molded and back-painted mustard yellow.
Flat sheet glass slab hot-molded and back-painted black.
Flat sheet glass slab hot-molded and back-painted pink.
Flat sheet glass slab hot-molded and back-painted dark green.
Statuario marble is the most precious and valuable marble that guarantees aesthetic luxury, giving brilliance and shine. Carrara Statuary marble brings luxury and elegance together. Stone slabs of first choice, carefully matched from the same block, without necessary granting of the continuity of the grains. Any differences in the texture, grains, color, or the presence of natural cracks filled with resin are natural attributes.
Nero Marquina marble is extracted from Spanish caves and is deep black in colour. This natural stone is crossed by white or light grey veins. Stone slabs of first choice, carefully matched from the same block, without necessary granting of the continuity of the grains. Any differences in the texture, grains, color, or the presence of natural cracks filled with resin are natural attributes.
Levanto red marble has been considered a highly precious marble since ancient times. It is a particular marble, characterised by a predominantly red colouring with white veins. Stone slabs of first choice, carefully matched from the same block, without necessary granting of the continuity of the grains. Any differences in the texture, grains, color, or the presence of natural cracks filled with resin are natural attributes.
Marble of great aesthetic value, refined and elegant. Compact and uniform structure with a remarkable chromatic variety. The basic tone is dark green with numerous shades, with veins tending towards white or yellow, which stand out against the green background and make the material unique. Stone slabs of first choice, carefully matched from the same block, without necessary granting of the continuity of the grains. Any differences in the texture, grains, color, or the presence of natural cracks filled with resin are natural attributes.
From the archive
- 1 Lodovico Acerbis together with Giotto Stoppino
- 2 Menhir tables, advertising campaign image, photo Aldo Ballo
- 3 Menhir tables, original design 1983 with glass top and steel frame
- 4 Original concept from 1983: endless configurations of the Menhir basement
- 5 The heavy marble drums ringed on the column guarantee the stability of the Menhir table.
- 6 The term Menhir of Breton origin refers to the characteristic megalithic monument
- 7 Historical documents, Menhir crystal top project, 1983
- 8 Archival research of historical documents, Menhir table project 1983
- 9 Exploded view drawing of Menhir, Acerbis catalogue 1983
Designed in 1983 by Giotto Stoppino and Lodovico Acerbis, the Menhir collection is inspired by the stone monoliths of the British Isles and France, which are the archetype of the column.
This research gave rise to the design of a base consisting of a steel column and marble drums with different finishes and shapes placed on top of each other.
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